Good to read of Holly's experience, as a participant in A CUT ... and as a recent graduate who has first-hand experience of a very different type, form and approach to the presentation of art and the art of exhibition-making: the Venice Biennale. I asked how her immersion in these two projects has impacted on her thoughts on the role and place of the artist, and curation? And what about the manipulation of time as medium – the ‘durational’ within performance versus the ‘fixity’ of the exhibition?
MFA students who participated in A CUT … and An Action …, you have subsequently proposed staging a collaborative exhibition as part of the MFA PGCert assessment – what thoughts on the questions here?
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